Oakland Hills Abstract
Oakland Hills, 2005

The brief was specific: cool colors at the bottom, warm colors at the top. Nothing floral.

The result is a Kandinsky-inspired abstract in cathedral glass — sweeping curves, bold planes of red, yellow, and blue, with circular jewel accents along a curved arc at the top. The composition reads differently depending on the light and the distance, shifting from graphic and bold to luminous as the sun moves through.

The client installed it one evening while his wife was out. She came home and didn't notice. The next morning she opened the bedroom door and the full color field was blazing through directly at her. Long pause. "John? What did you do?!" She loved it.